MOVE
3 guys, 44 days, 11 countries, 18 flights, 38 thousand miles, an exploding volcano, 2 cameras and almost a terabyte of footage… all to turn 3 ambitious linear concepts based on movement, learning and food ….into 3 beautiful and hopefully compelling short films….. = a trip of a lifetime. move, eat, learn Rick Mereki : Director, producer, additional camera and editing These films were commissioned by STA Travel Australia: youtube.com/watch?v=-BrDlrytgm8 Thanks heaps to Adam Fyfe, Brendan, Simon and Crissy at STA. All Music composed and performed by Kelsey James (kelseyanne.james@gmail.com) Music Recorded and mixed by Jake Phillips Colour Grade : Edel Rafferty and Roslyn Di Sisto Assistance in titles and production design : Lee Gingold, Jason Milden, Rohan Newman Big Ups to Michelle, Kiri, Renee, Hana, Andre, Ross, Bernie & Julie for your patience and support and awesomeness….. Huge Thanks to : Thank you all for your kind words and encouragement. The response has been phenomenal and overwhelming. We never thought this little project would reach out to so many people. x Cast: Rick Mereki and Tim White Tags: move, travel, symmetry, hd, 5d, dslr, europe, thailand, peru and america
Tim White : DOP, producer, primary editing, sound
Andrew Lees : Actor, mover, groover
Soundtrack available here:
itunes.apple.com/au/album/play-on-move-soundtrack-single/id456257170
Online Edit : Peter Mirecki
Marco, Juliana and Julio at GAP Argentina and Peru
Ariana Cardenas, Toni Figuera and cooltra scooters in Barcelona,
Abete Zanetti Glass blowing school, Murano, Venice (abatezanetti.it)
Annabel, Rosario and Carolina (Pitu) in France
Juane and Andrea from the Princeca Insolenta hostel in Chile
Tron Legacy Premiere an ENESS Light Session
Old-time skaters ENESS jumped at the chance to bring skateboarding into the future by blending interactivity and high-tech mastery for the Tron Legacy premiere. Each rider is equipped with an ipod and our custom-built app to measure their air time and trigger graphics whilst in the air and on landing. A custom ramp was fabricated from steel to support a floating platform. created by:ENESS -eness.com Cast: ENESS Tags: Eness, interactive design, projections, interactive projections, skateboard, projection, skateboarding, ramp, interactive, mapping, Tron, Tron Legacy, mini-ramp, half-pipe, Disney, skateboarding games, video games, ipod, apps and Will Hine
Video By: Andrew Dorn – dornomite.com
Music By: Galapagoose – galapagoose.tumblr.com
Riders: Alexi Dowley, Will Hine, Jay Huggins, Harley Powell
“The Body” by Pains of Being Pure at Heart
The band (order of appearance) Directed by Phillip Van A Greencard Pictures Production Single “The Body” from the album “Belong” by The Pains of Being Pure at Heart. Shot on a Canon 5D Mark II and Canon 7D. Cast: Phillip Van Tags: The Pains of Being Pure at Heart, The Body, music, video, 7D, HD and 5D
Peggy Wang – keys + vox
Kip Berman – guitar + vox
Kurt Feldman – drums
Christoph Hocheim – guitar
Alex Naidus – bass
Executive Producer Jill Hammer / Emily Wiedemann
Produced by Adam Lytle
DP Adam Newport Berra
Edited by Chell Stephens
2nd Camera Aaron Wesner / Greta Zozula
in association with Black Dog Films
Out now on Slumberland / Play It Again Sam
Foleyroom | 1080p
An audiovisual soundsculpture, reacting to the sound of Amon Tobin’s Foleyroom, at Milwaukee Art Museum. Animation and coding in After Affects with Mandelbulb3D. Cast: StilikonDesign and Amon Tobin Tags: Foleyroom, Stilikon, Adrian Meyer, Amon Tobin, Soundsculpture, Milwaukee Art Museum, Milwaukee, Mandelbulb, 3D, VFX, CG, After Effects, HD, Animation and 1080p
Magnus
An old train travels through landscapes, to get to an ancient city. ________ Credits CG Music Cast: Meradi Omar, Dos Santos Nelson and PhRey Tags: CG, vfx, maya, mental ray, fluid, fume, dynamics, particles, train, locomotive, landscapes, 3D, compositing, ATI, nelson dos santos, meradi omar, nelson, omar, CGI and fx
Magnus is our master degree and full CG movie, made at ATI.
Dos Santos Nelson (vimeo.com/user3160528)
Meradi Omar
Rey Phillipe ( phreymusic.com/)
________
Universit? Paris 8
Arts et technologies de L’image _ ATI 2011
Splitscreen: A Love Story
Shot entirely on the Nokia N8 mobile phone. Winner of the Nokia Shorts competition 2011. Director: JW Griffiths Get the music on iTunes: tinyurl.com/6acl6yp Cast: JW Griffiths, Christopher Moon, Marianne Kuopanportti, Mauricio d’Orey, Lennert Busch and Kurban Kassam Tags: 
Producer: Kurban Kassam
Director of Photography: Christopher Moon
Editor: Marianne Kuopanportti
Sound Design: Mauricio d’Orey
Music composed by: Lennert Busch
Steel Life – A short film by Mateusz Zdziebko & Patryk Kizny
Steel. Life. Have you ever wondered what would the world look like if all objects around got alive? Discover the world of steel and hardware, driven by music and inspired by humanity.
Steel Life —————————– Mateusz Zdziebko Patryk Kizny Robert Paluch Aga Gonczarek Production: LookyCreative / lookycreative.com Stop-motion tracking sequences shot on DitoGear? OmniSlider. Learn more at ditogear.com Press, licensing or stop-motion / timelapse project inquiries (yes, we’d like to shoot a spot for you!) – please contact looky@lookycreative.com Enjoy also the “Making Of” / Teaser film: Follow Mateusz Zdziebko: Follow Patryk Kizny Follow LookyCreative: Thanks for sharing! Featured on: Cast: Patryk Kizny, Mateusz Zdziebko, LookyCreative, Agnieszka Gonczarek, Robert Paluch and Dito Gear Tags: stop-motion, animation, motion-control, steel, life, hardware and music
Calm, cold, solid, rigid and unchanged.
Fast, emotional, harmful and responsive.
A short film by Mateusz Zdziebko & Patryk Kizny
Concept, Music, Set Design, Animation, Cinematography & Edit
Set Design, Cinematography, Color Grading
Animation assistant
Animation assistant
vimeo.com/channels/lookycreative#24820142
facebook.com/mateusz.zdziebko
facebook.com/pacocreative
twitter.com/pacocreative
vimeo.com/pacocreative
lookycreative.com
vimeo.com/channels/lookycreative
twitter.com/lookycreative
fubiz.net/2011/06/23/steel-life-film/
gizmodo.com/
KI: Michael Levin
I first became aware of Michael Levin’s photographs in 2010. His photographs of everyday places and common subjects are transformed into something much more when he views them through his lens…absolutely stunning! Being that a large majority of Michael’s work is done in Japan, I instantly had a connection to it as I too have a bond with Japan and have traveled and documented the landscape extensively in my own way. After watching my film Hayaku (vimeo.com/12112529) Michael contacted me regarding a project he was working on and felt it might be of interest to me. He told me that he really appreciated my work and recognized the dedication and effort that went into it. I agreed to go on a trip with him to Japan and work on his project. But for me, there was a greater opportunity at hand. We had several conversations and I gave him some ideas about expanding the project and he really took to it. A month later and we were in Japan having beers and sushi. I wanted to document Michael at work, in Japan, in a way that hasn’t really been explored with photographers. I told Michael of my idea to make an artistic representation of his experiences in the Land of the Rising Sun – to show him in his working environment in a way that complimented his work. Not to explain it with words, but to feel it through the flow of the film. I wanted to show the process, the journey, the adventure in a way that would give the viewer an emotional connection to Michael and his photography. The final result is something that I think is truly original? something that showcases who Michael is, and more importantly, what his work is all about. This film is a collaboration between Michael and I and our love for photography, film, Japan and adventure. This is a subject that Michael and I are continuing to explore as we plan more trips together, more films and more adventures. I hope you enjoy! **Michael will be conducting a photography workshop in Brighton, UK. this September. michaellevin.ca Filmed with: Music: Cast: Brad Kremer, Michael Levin, Tytan, Mark Nguyen, Alex Farkas-worthy and Dynamic Perception Tags: Brad Kremer, Michael Levin, Japan, Kyushu, Long Exposure, Photography, Time Lapse, Canon, 5DMKII, KI, Zebrato, Tytan, B&W and Minimalism
Please email info@michaellevin.ca for all the details.**
bradkremerfilms.com
brad@bradkremerfilms.com
Canon 5DMKII
Dynamic Perceptions Dolly
Artist- R?yksopp
Song- R?yksopp Forever
*Please watch with good speakers or headphones*
RESONANCE
Resonance is a collaborative project with over 30 independent visual and audio designers/studios. The aim was to explore the relationship between geometry and audio in unique ways. Special thanks to Clear Cut Pictures who did a great job with the audio mastering and also RenderRocket who gave us access to their awesome renderfarm. SEE || Displace Studios and MoveMakeShake | Esteban Diacono | Heerko Groefsema | Jean-Paul Frenay | Jr.canest | KORB | Kultnation | Mate Steinforth | Matthias M?ller | Momentary People | MRK | Murat Pak | Onur Senturk | Physalia studio | Polynoid | SR Partners | Thiago Maia | Tom Waterhouse | Tronic Studio | Spatial Harmonics Group HEAR || Audionerve | Combustion | CypherAudio | David Kamp | Echolab | Hecq | Michael Fakesch | Mutant Jukebox | Radium Audio | Box Of Toys Audio | Studio Takt | World Gang resonance-film.com for more details and opportunities to get one of the limited edition Blu-Ray and DVD versions of the full film. Resonance was initiated and produced by SR Partners. Cast: Resonance, Movemakeshake, Audionerve, Box Of Toys Audio, CypherAudio, Displace Studios, ECHOLAB, Heerko Groefsema, Ian Clemmer, Jr.canest, JP Frenay, KORB, Kultnation, Marcelo Baldin, mate, Michael Fakesch, Momentary People, Murat Pak, Mutant Jukebox, Onur Senturk, MRK, Polynoid, Physalia Studio, Radium Audio Ltd, SR Premium, Studio Takt / Music & Sound, Tom Waterhouse, TronicStudio, Thiago Maia, Esteban Di?cono and KAMP – Music & Sound Design Tags: resonance, sr partners, collaboration, offf, sonar, playgrounds, pause festival, 3d, 2d, animation and motion
Metronomy – The Bay
A music video for Metronomy set in Torquay, Devon. Directed by David Wilson Production Company – Colonel Blimp Director of Photography – Richard Stewart 2nd Unit Camera – James Durand The girls = Siobhan, Gabriella, Gemma, Meryl and Anna The boys on the wall= Frankie and Will Joseph Mount stunt double = Harry Dwyer Massive thanks to Lydia Stone and the English Riviera Tourism Company, Hovercam, and the people of Torquay. Cast: David Wilson Creative Tags: Metronomy, the bay, english riviera, bay, torquay, david wilson, girls, legs, shoes, helicopter, indie and colonel blimp
Produced by Patrick Craig
Styling by Cynthia Lawrence John
Art Direction by Tim Gibson
1st AD – James Dyer
Production Assistant – Genevieve Stevens
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it’s an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic. Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!! Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year?s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic?s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It?s really fair to say that this was a labour of love by a passionate crew of people. Says Ania Markham, Executive Producer at PostPanic: DIRECTORS NOTES (Mischa Rozema) This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place. This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The ‘weaker’ one gets eaten by the ‘stronger’. You only have to look at history to see the destructive power of civilizations. So the main underlying idea is: what would happen if the future lands on our doorstep today? Let’s take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let’s say, 7 days? So that’s what we’re looking at. But every ending also means a new beginning, hence Year Zero. There’s all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It’s behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it ‘catch’ the city and it’s people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They’re not meant to be deciphered by the audience. It’s still meant to be just a title sequence and not an actual movie. Now what makes a good title sequence? Personally, I think it’s something that gets you in the mood, warms you up for what you’re about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don’t tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival. To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that’s inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it’s carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn’t explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you’re actually trying to connect these seemingly random scenes and boom; you’ve just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there’s no actual movie here we’ll leave stranded with, hopefully, an uncomfortable feeling and lots of questions – some might feel unsatisfied and wondering why. Just like a nightmare. We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the piece itself. Practically I still think it’s nice that the viewer has to actively look for the names and not get too comfortable. Even if it means to see it a couple of times which surely is the best we can aim for as a free project ; ) How about the shoot? Well, prior to Prague we created more than 50 ideas I could play with. This was always the intention. Go out shooting with a tiny crew, acting like we’re still in art school and be open for anything that might happen. That’s why we shot everything on 2 Canon 5D’s (that and having no budget off course). This was a really nice change for me. Normally I prepare commercial shoots to the very last detail and there’s a lot more people involved. Savage helped us out big time in Prague. We also had some bad news. Due to his back problems Si Scott had to abandon the project and couldn’t join the shoot. When we came back from Prague I started editing straight away and soon came to the conclusion we had about 60 vfx shots to work on and no budget and increasingly less time. Remember that this project was a side dish for PostPanic, we had to work on commissioned jobs also. But everybody involved soon fell in love with the project, including STORM Postproduction who are our neighbors (luckily for us). In the mean time we received the title list. It had about 70 names on it! That’s when I found out that the dynamics I wanted to use would probably not work. Just too many names that would make the piece too long to just show random images. So in the plane towards Prague I thought of bringing in a tiny bit of narrative. Which turned out to be the beginning of the sequence (1st act). I wrote in a lead character that would relate to the viewer. The idea was to trick the audience into thinking they’re watching some kind of documentary. We basically follow a guy going home. Bit by bit his environment gets stranger and more uncomfortable to watch. Is he living in a war zone? Slowly the background takes over and the piece changes into an urban nightmare. And like a nightmare, the story/edit doesn’t always make sense but makes you feel really uncomfortable. I also wanted the viewer to experience the nightmare. That’s where the dark matter comes in. Dark matter is what I call the macro shot bits. Flashes that derail your train of thought like there’s something eating away at your brain as you try to make sense of the nightmare. I wanted the viewer to go nuts, alongside with the cast. Erase the line between nightmare and reality. The end result is something you won’t come across easily on your tv. And is also just another fun way to do titles. The sound design and music made by Hecq added a lot to the feel and scale of the film. It clearly divides the 3 acts (1st act: up to execution, 2nd from execution, 3rd final shot) and makes completely different ideas and scenes feel coherent. It also emphasizes the dynamics of the film and brings the much needed pace at the end. It’s been great working with Ben. We’ve been surfing the same wave length throughout the project. Finally I want to thank everyone involved for making these titles possible. For creating something out of nothing. For showing so much love for something as dark as this. CREDITS Prague Cast: Post-Production: PostPanic Production (Prague) by Savage: Cast: OFFF, let’s feed the future Tags: OFFF, 2011, Titles, Postpanic, Si Scott and Mischa Rozema
?The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It?s been a great opportunity for all of us to work together on a non-commercial project we?re passionate about and we?re so proud of the combined effort and final result.?
?
Directed by Mischa Rozema
Story by Mischa Rozema & Si Scott
Production Company: PostPanic
Executive Producers: Jules Tervoort, Ania Markham
DoP: Jiri Malek, Mischa Rozema
Music & Sound Design: Hecq
Senior Producer: Annejes van Liempd
Production Assistant: Jacinta Ramaker
Production Designer: Roland Mylanus
Editor: Mischa Rozema
Main Hero: Vladan Bl?ha
Grafitti Guy: Tom Malar
Main Hero Sister: Katerina Galova
CG Supervisor: Ivor Goldberg
VFX Supervisor: Chris Staves
3D Artists: Jeroen Aerts, Matthijs Joor, Jurri?n Boogert, Marnix Reckman, Adam Janeczek
2D Artist: Erwin van den IJssel
3D Interns: Cara To, Xander Clerckx
2D Interns: Mathijs Luijten, Per Westholm
Compositing: Chris Staves, Ivor Goldberg, Adam Janeczek, Matthijs Joor
Graphic Designs: Si Scott
Additional Graffiti Elements: Florian Stumpe
Matte Painting: Wieger Poutsma
Additional 3D and Compositing: Storm PostProduction
Executive Producer: Klara Kralickova, Pavla Burgetova Callegari
Producer: Michaela Berkova
Production Assistant: Vojta Ruzicka
Prop master: Jan Fiala
Location Scout & Management: Petr Bastar, Adam Fuchs
Location: CREVISTON, a.s.
Tattoos made by: Wowa tattoo prague
Pi
PI // 550D slow motion test footage of bmx. Thanks: Charles ARTHUR and Quentin GIRAUD Cast: Thomas Blanchard Tags: pi, 550D, 7D, canon, 24-105L, motion design, twixtor, bmx, sport, niklas aman, 1000fps, 2000fps, lapse time, cloud, france, magic bullet, thomas blanchard, 60p, HD and slow motion
Lens used: Canon EF 24-105mm f/4 L IS USM
Edited with Twixtor in After Effects.
Shutter speed 1000 – 2000fps
Motion design
Music: Niklas AMAN – Reflections
JUSTICE – CIVILIZATION directed by Edouard Salier
Artist: Justice Cast: edouard salier, 23fx23, digital district, francois peyranne, Margaux Durand-Rival, marthe salier, remi gamiette, Aymeric Renaud and xavier rey? Tags: justice, civilization, edouard salier and ed banger
Label: Ed Banger
Director: Edouard Salier
Producer: Mourad Belkeddar
Production Company: Caviar Paris
Post producer: David Danesi
Post-production company: Digital District
Tron Legacy : Aerosol Mural
End of the Line, in association with Distillery Productions and Toby Summerskill, have filmed the first 3D Graffiti Time-lapse. Created to document the production of a painted promo for Disney?s Tron: Legacy this is the final 2D edit. This groundbreaking project was filmed in December 2010 and January 2011, in a warehouse in Shoreditch with the exterior shots taken from the rooftops of East London. Filmed over 4 days, it shows the execution of a 20-metre mural that was painted on huge canvases for installation on Great Eastern Street. The time-lapse was created using 2 x Canon 5D MK2 cameras and a specially constructed 3D rig provided by Inition. endoftheline.co Aerosol Mural: Soundtrack: facebook.com/EndoftheLineLDN Cast: End of the line, Distillery Productions, Toby Summerskill, Inition and rezine Tags: End of the Line, graffiti, distillery productions, mural, 3D, timelapse, tron, legacy, aerosol, 3d timelapse, 2d timelapse, toby summerskill, light graffiti, rezine, inition and daft punk
distilleryproductions.com
tobysummerskill.com
inition.co.uk
Jim Vision
3D Timelapse Photography & Animation:
Sam Edwards
3D Editor:
Luke Whiting
3D Timelapse Photography:
Toby Summerskill
Stereographer:
Charlie Perrara, Inition
Producer:
Matilda Tickner-Du
Light graffiti:
Rezine
rezine69.com
Inition:
3D production, monitoring & post production services & 3D Equipment
Plus post alignment & depth grading
Lighting Consultancy:
Seam Design
seam-design.com
Tron Logo Cutout by Zeus
Daft Punk
twitter.com/EndofthelineLDN
Woodkid – Iron
IRON EP on ITUNES : itunes.apple.com/fr/album/iron-ep/id423849905 WOODKID – IRON – Video directed by Yoann Lemoine Cast: WOODKID Tags: 
First EP “IRON” available on Itunes.
Cinematography by Mathieu Plainfosse
Featuring Agyness Deyn
Produced by Mourad Belkeddar
Styling by Ellen Af Geijerstam
Post Production by OneMore Prod
3d Artist : Jonathan Benabed
Flame Artist : Herve Thouement
Label & Video commissioner Pierre Le Ny
P & C 2011 GREEN UNITED MUSIC
CAVIAR / HSI / ONEMORE PRODUCTION
Lilly Donaldson – Flying Hair
Director: Matthew Donaldson Cast: Mutant Jukebox Tags: Fashion, Photography, Supermodel, Slowmotion, Donaldson, Nowness, McKnight, IMG, Shervin, Shaeri, 2am Films and Mutant Jukebox
Camera: Jason Berman
Editing: Theo Cook
Production Company: 2am Films
Sound Design: Mutant Jukebox
Hair: Sam McKnight
Make-up: Val Garland
Model: Lilly Donaldson @ IMG
Styling: Aurelia Donaldson
Love is Like Life but Longer
Directed by: Poppy de Villeneuve Director of Photography: Nick Bentgen Assistant Camera: GT Womack Post Sound: Gramercy Post Glasses provided by Selima Opaque This film was commissioned by Mondrian SoHo and Morgans Hotel Group Cast: Poppy de Villeneuve Tags: love, hotels, Mondrian, nuns, blind, strangers, Poppy de Villeneuve, Jeremy Strong, Simon Van Booy and Maya Kazan
Written by: Simon Van Booy
Produced by: Lisa Kjerulff
Starring: Jeremy Strong, Maya Kazan, Joan Copeland
Production Designer: Jessie Katz
Editor: Ruth Mamaril
Score: Krishna Venkatesh
Wardrobe Stylist: Sarah Mae Burton
Production Sound: Micah Bloomberg
Hair & Make-Up: Bridget Ritzinger
Production Assistants: Ryan Heyner, Jaime Johnson, Bailey Roberts
Color: DTouch
Special thanks to the Perkins School for the Blind
GTLK
Concept: Components of the space. Between existence and “No!”. Alive ? ?bsorbs. Client: Gosudarstvennaya Transportnaya Lizingovaya Kompaniya | GTLK ?Nebulo ? Plasticmare? was licensed for this promotion video | hymen-records.com ? Cast: Andrey Muratov and Alexander Kuznetsov Tags: GTLK, promotion, spot, public, transportation, leasing, company, Andrey, Muratov, proxell.tv, abstract, art, experemental, science, canon, 5d, mk2 and proxell
Agency: Communication Group IMARS | imars.ru ?
Producer/Director: Andrey Muratov | andreymuratov.com
D.O.P: Alexander Kuznetsov | 6fpro.ru
Sound design: Nebulo | myspace.com/nebulo
The Cyclotrope
Music- Jherek Bischofff The Cyclotrope Created and animated by tim wheatley The cyclotrope is a cycle of 18 images that is spun at a certan speed so that the frame rate of the camera filming it gives the illusion of animation. This film is my first experiment with the cyclotrope and i intend to work with it more. follow my project here thecyclotrope.blogspot.com/ Cast: tim Wheatley Tags: the cyclotrope, tim wheatley and animation
Song- Kule Kule (Orchestra Version) from “Tradi-Mods Vs. Rockers” Alternative takes on Congotronics (Crammed Discs)
jherekbischoff.bandcamp.com/
PERSPECTIVE LYRIQUE
An interactive architectural mapping. A mapping by 1024 Architecture, projected on the facade of former Lyrical theater the “Celestins”. More info on 1024architecture.net or our blog Cast: 1024 Tags: video mapping, architecture, 1024, lyon, realtime, morphing, 2010 and fete des lumieres
Fete des Lumieres / Lyon / France / 2010
The building deformations and figures were controlled by the audience, using a microphone and an audio analysis algorythm.
1024d.wordpress.com
Nuit Blanche
facebook.com/spyfilms.worldwide – Nuit Blanche explores a fleeting moment between two strangers, revealing their brief connection in a hyper real fantasy. Watch the “Making of” here – vimeo.com/9076775 Directed by: Arev Manoukian Cast: Spy Films Tags: nuit blanche, Arev Manoukian, black & white, VFX, spy films, car crash, restaurant, short film, HD, maya, after effects, 3dsmay, vray, 3D, visual effects and slow motion
Cinematographer: Arev Manoukian
Resonance Teaser I
SEE || Displace Studios | Esteban Diacono | Heerko Groefsema | Jean-Paul Frenay | Jr.canest | KORB | Kultnation | Mate Steinforth | Matthias M?ller | Momentary People | MRK | Murat Pak | Onur Senturk | Physalia studio | Polynoid | Renascent | SR Partners | Thiago Maia | Tom Waterhouse | Tronic Studio | Wayne England & Ian Clemmer HEAR || Audionerve | Combustion | CypherAudio | David Kamp | Echolab | Hecq | Michael Fakesch | Mutant Jukebox | Radium Audio | Studio Takt | Wiener Music Cast: Murat Pak, CypherAudio, ECHOLAB, SR Premium, MRK, Kultnation and Onur Senturk Tags: Resonance
Zimoun : Compilation Video V2.8 | Sound Sculptures & Installations
Zimoun : Sound Sculptures & Installations More works & information: Next Events: Newsletter: Facebook: HD Video Archive: HD Video Archive:
_ ?Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Exploring mechanical rhythm and flow in prepared systems, his installations incorporate commonplace industrial objects. In an obsessive display of curiously collected material, these works articulate a tension between the orderly patterns of Modernism and the chaotic forces of life. Carrying an emotional depth, the acoustic hum of natural phenomena blends effortlessly with electric reverberation in Zimoun’s minimalist constructions.? bitforms nyc ?The sound sculptures and installations of Zimoun are graceful, mechanized works of playful poetry, their structural simplicity opens like an industrial bloom to reveal a complex and intricate series of relationships, an ongoing interplay between the ?artificial? and the ?organic?. It?s an artistic research of simple and elegant systems to generate and study complex behaviors in sound and motion. Zimoun creates sound pieces from basic components, often using multiples of the same prepared mechanical elements to examine the creation and degeneration of patterns.? Tim Beck ?Zimoun is best compared to a watchmaker of a self-reproducing time constructing his own gauging station.? Radjo Monk ?The clean, elegant sound sculptures combine visual, sonic, and spatial elements in an organically balanced entirely artwork. Using simple and well- conceived mechanical systems, Zimouns?s work transforms and activates the space.? Jury Prix Ars Electronica 2010 ?Zimoun creates complex kinetic sound sculptures by arranging industrially produced parts according to seemingly simple rules. Using motors, wires, ventilators, etc.., he creates closed systems that develop their own behavior and rules similarly to artificial creatures. Once running, they are left to themselves and go through an indeterminable process of (de)generation. ?It is a poetic and humorous absurdity we find in Zimoun?s work, which opens up a wide, refreshing and enriching space for discoveries, associations and a multitude of approaches.? Nina Terry ?The components used in Zimoun?s work are simple, functional and raw, whereas only aesthetically high-level and purposefully chosen elements and materials are used in minimalist fashion. Through radical reduction, Zimoun creates works of art which allow for a plethora of associations without being pinned down to a specific direction. Radical abstraction functions rather like a code in the background of things, thus elegantly avoiding an insinuation of direct, concrete attribution. Thanks to the abundance of mechanical activity, the range of perception, possibilities and interpretations is wide open.? Amanda Neumann ?Indeed, one of the refreshing elements of this work is the immediacy with which one can understand the sound-making process, where each micro-event is present, visible, and concrete. Yet at the same time the resulting complexity of the total system, conjured before your eyes, defies any attempt to dissect it. You might find yourself feeling there is a ?prime mover? at work behind the scenes, but in fact it is just the characteristic reaction of materials behaving together and in unison with the space of their activity. A magic of the real.? Xymara
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Website: _ Cast: ZIMOUN Tags: zimoun, installation, sound art, sound sculptures, physical sound, mechanical systems, organic sound, art, swiss, simplicity, reduction, prepared motors, physical computing, bitforms gallery nyc, leerraum [ ], vibration motor, artificial organic systems, mechanic, untitled sound objects and kinetic sculpture
Compilation Video V2.8 / Last update: May 27, 2011
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These quasi autonomous creatures exist in an absolutely synthetic sphere of lifeless matter. However, within the precise, determinist systems creative categorioes suddenly reappear, such as deviation, refusal and transcience out of which complex patterns of behavior evolve.? Node10
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MOLECULAR LIGHT
a film by MARCUS TOMLINSON sound by THE UNIVERSE
A moving image installation commissioned for the launch of Mini?s ‘Rocketman’ concept car at Milan fashion week 2011. Collaborating with Karla Otta, MTSPACE?s owner and filmmaker Marcus Tomlinson produced this striking piece in which Lily Cole takes centre stage in an intriguing work of avant-garde cinema. ? Marcus Tomlinson 2011 Cast: MTSPACE and edward thomas cook Tags: Marcus Tomlinson, Mini, BMW, Molecular Light, Concept Car, MTSPACE, Art, Stop Frame, Photography, Film, Art Film, Animation, Rocketman, Milan, Fashion, Milan Fashion Week, Lily Cole, offical, launch and Anders Warming
with LILY COLE